The popularity of Waranggana Tayub Malang through body exploitation| Dolanan anak dance learning for children in 'Mekarsari' kindergarten| The role of in-service teacher in supervising pre-service teachers during teaching practicum program| Tayub as a symbolic interaction medium in Sedekah Bumi Ritual in Pati regency| Ethical values of Malangan Shadow Puppet show from East Java in The Lakon…
RIJOQ: vocal music of Dayak Benuaq from Kutai, East Kalimantan| The philosophy of puppet characters bathara in Murwakala play for the value of leadership ethics| Significant influences of violin extracurricular achievement to emotional intelligence| Developed music teaching kit of pakem for elementary school music learning| The improvement of audio-visual based dance appreciation learning a…
The dynamic phenomena of strekan music from colonial to contemporary era in Situbondo| Developing an instrument model to assess teachers' creativity in designing and teaching music subject| Church music inculturation by way of an experiment of arrangement of dolo-dolo mass ordinarium accompaniment composed by Mateus Weruin for woodwind quintet| Lawet dance and ebleg dance: the term analysis …
Audience perception of effective communication in Nigerian paintings| Need analysis of lesson planning to teach education value of Sulawesi ethnic dance teaching in primary school| Dutch batik motifs: the role of the ruler and The Dutch Bussinesman| The impact of Tayub exploitation on the tradition and life of Javanese society| The existence of local wisdom value through Minangkabau dance c…